Suzuki's Biplane, one of the prototype motorcycles on display, was designed to capture the feelings shared between airplane and motorcycle. (via stars and stripes, thx PinkTsunamii)
Uninitiated in the lore of G.I.Joe? Me too. But that doesn't mean we couldn't appreciate a ninja in a pyric gear, emblazoned with 既濟. Yes, that's an I Ching hexagram there (63), meaning "after completion" or "already completed".
If you're not into Hellgate or I Ching, don't worry. Meditate on this: that's Ray Park there, better known as The Toad or Darth Maul, posing for the first promo pictures for G.I.Joe as Snake-Eyes. (via io9)
easter monday is really bukkake day
get over it
life according to breslin.
Watch this space for more Rez-related games in the near future.
Tokyo Fashion Week, here I come! (link, via tokyomango)
Thai deviantartist hoyhoykung has a habit of making amazing sci-fi airbrush paintings, mixing retro pop/art with cyber kitsch, giving a brief look-see into the minds of the Thai cyberpunk teen generation: all about megalove, motors, pit stops, runways, vivid colors and by the looks of it, hallucinogenes. Lots of them. (Titles from top to bottom: Wandaburger and peppercola, MIKA megalove, Suki circuit)
Girls Entertainment Network's all-female staff blogs the way they think about games and technology and at the same time what they think would get a few thousand extra male visitors for their site. Their version of celeb boobs takes a new twist: Halo's Cortana and Ghost in the Shell's Motoko Kusanagi cosplayed with bare skin, some body paint and guns. If you jerk off or spend more time watching the galleries, that's fine. Melodie Gore would need to pull off at least a three-combo chain of plastic surgeries to start looking like Motoko, though. (via girlsentertainmentnetwork)
Hello, dolls and datapunks.
I am speaking to you all from the wombs of the Easter chamber with an erection the size of Fuji-san, an annoyingly detailed list of android sex services in Southern Hanoi (those including lube are marked with chili signs), my new iPhone that does not use batteries (it uses saliva or perspiration) and my coder has bought me a "sexy cat suit" as a very attentive addition to my already overcomplicated and troubled life.
As you might already have guessed, I am slightly aggravated and also at my wit's end.
Which is not too far away.
今全部が始まります. - This was 19th of June, 2007. I am also posting this now. This signifies that from now on I will never, ever trip while doing mind parkour, scaling desires, jumping across rooftops, never arrive unbalanced into stances. If you think you understand this, you don't. I also managed to booby-trap this sentence so by the time you have finished reading it, you are infected with at least two different strands of very, very. Heh heh.
I also need all of you to listen.
Because I also have my ears open.
And I'm very impatient.
Panelists discuss whether controversial decisions by the Robot Congress and President Executron indicate robots have too much control over our lives. (via boingboing)
Sydney-based cyberpunk duo ANGELSPIT has a new take on blipverts. If blipverts mean anything to you, you probably are old and weary, as they were first introduced to science fiction fans back in 1987 in the series Max Headroom. Max Headroom was the first British (and as far as I know, also world-first) cyberpunk TV series about a reporter named Edison Carter. Carter works for a network called Channel 23 and he gets into trouble while uncovering things his bosses would like to keep in the private. One of these scandals is about the blipvert, a hi-speed visual medium that condenses advertisements into a few seconds, thus effectively killing people with the overload.
In the past 20 years anything in the ad scene that got related to or was called a blipvert was basically a brief advertisement, sometimes laced with subliminal effects. Wikipedia has more to say about that, check out Richi Jennings and the image-based spams with subliminal BUY BUY BUY messages.
The Green Tea Bride, 2006
The Cyber Bride, 2003
The Mao Bride, 2006
Photos of Kimiko Yoshida, representing herself as a bride in various cultures. Link to Yoshida-san's official but not completely worksafe site (landing page still okay), via pinktentacle.
Visioncoax has this amazing piece of clockworkry for 9975円, done from ABS plastic gears, a metal stem and a wooden base. 本物の盆栽をかわいがるように、BONSAI GEARを眺めてみてはいかがですか？ (link, via gearfuse)
Came across yusheng's superb flickr set about an abandoned housing complex near Taipei. According to yusheng, this place was built in the 70s as a resort but was later abandoned. I couldn't find any definitive explanation about why exactly it was abandoned, however. There's some talks about failed partnerships and/or real estate bubbles. The original source at notcot also lists another flickr gallery with some interior shots and also speculates that the complex was apparently built in the early 1980s as a series of vacation homes marketed towards affluent Taipei residents seeking to get out of the city. (via notcot, recommended by dH!)
If Syd Mead in the last post was a visual futurist, Toronto's very own Headscan is his musical counterpart. Planetdamage is still a few steps away from starting its own dossiers on cyberpunk musicians (and their related kin) but until we hit it off, here's today's big news: Headscan is out with a new track, Tomorrow Square (full streaming version on MySpace). Impressive, inspiring and immersive, as always, quite on the Haujobb - Clock DVA axis with a twist of neon-lit Chiba on a sad dose of vasopressin. According to what MySpace hints, the new album is TBA 2008. (via razzor)
UPDATE 1: VividFluxury rightly warns all of us that Tomorrow Square has been released two years ago (omfg) on the Re:Connected compilation on Alfa Matrix, which sort of makes me feel uneasy. Arigatou, nevertheless.
UPDATE 2: You can download the full-length track from last.fm.
Half the tech/design blogs in my blogroll ran this post and I don't really know who to via this for, really. This very flickr set features some 18 pics by "visual futurist" Syd Mead, the guy who did all the design work for Blade Runner and Tron. If this is not enough for you, CGSociety has just had a brief resumé on Mead so check that out as well while you're at it.
I see the future as a contest between human intelligence being degraded by dogma, and human intelligence being allowed to invent itself to solutions and to its own credit.
It's a shame I don't cover the new steampunk contraptions but Dardenbahst, this amazing piece of LEGO machinery could make me reconsider. You have a full-on schematic to use your old Technics pieces with - if you're laziness incarnate (or just too young), do try out the free LEGO Digital Designer. You might have a chance. (via bb gadgets)
Fumihiko Sori's new cyberpunk/biotech movie Vexille gets a UK trailer and all you lucky British cunts can watch it from the 9th of May on them huge frigging screens. The UK trailer is really here, the YouTube above is just the Japanese version with English dubs. Here's the synopsis if the title doesn't ring a single bell. (via)
"The year is 2077 - 10 years has passed since Japan had decided to leave the United Nations to go into isolation. They have completely blocked the islands with an ultra magnetic field which prevents anyone to see what is going inside. This was a result to opposing to a treaty which UN has passed, preventing the development of all bio and robot technology which has evolved drastically and has become a threat to the human beings. When Japan finally begins to move, the US government sends in a special force team SWORD, lead by a female commander Vexille, to find out what is really happening inside the country."
Hardwired shows off some new (concept) images from DICE's cyberpunk parkour game Mirror's Edge. Gamers at the HW forum have a hard time deciding whether Faith (protagonist) is a well-equipped woman or not but honestly, martial arts and physics-heavy sports are sort of more geared towards this kind of build. (Check my previous post on ME here.)
I am sitting in the bowels of A38, one of Budapest's leading venues, the very one situated on the river Danube, the living proof of how near-paramilitary Russian vessels have a posthumous life of their own. I am also locked on to one of the greatest names in contemporary hip-hop, DJ Krush. He has a wonderful habit of not saying anything specific, carefully not going into any details about fellow DJs, up-and-coming artists or technicalities. The one and only name that comes up from the J-hiphop scene is Kentaro and Krush is very firm in stating that Kentaro will never become as strong an export product of the cultural scene as he is. This is probably, casting a glance on download figures and the probability of finding these two names on p2p networks, very true.
In all honesty - making an interview with a lobotomized and gangraped alien with no tongue and mouth is much-much easier than getting two full sentences out of Krush on what he thinks about the DJ scene nowadays. He obviously thinks that the technical possibilities are endless (yes, I also read digitaldj.jp) and being a DJ takes a whole person so no serious human relationships can go hand in hand with being a DJ (I also know that, seen that, been there). How he himself does what, when and where - remains a mystery. We get to know he has a family, he's got two kids and there's only one person in the world he'd really teach how to DJ - and it's his grandson.
We spend 45 minutes with him, up close and personal. Almost nothing remains. He's distant, however much you think the years of dealing with Oriental culture can make you understand this kind of mentality more - it doesn't. The party itself is as strange and ambiguous as the meeting itself - you seriously can't enjoy hiphop/lounge in a crowd of 800 people. The secret Shaolin shadow technique of DJ Krush are amazing, 15 points on a scale of ten. I leave after an hour of lingering at the back of the event hall, buying the 3DVD pack and cherishing something I took from Krush with a grin on my face, two interview questions that he thought are real hard to answer, I usually take this as a compliment.
This is something like Zen, leaving empty-handed.
UPD1> O. claims that all the rocking party hardcore shit happened in the second part. Damn that.
and mankind finally has an expiration date
Great Britain, 2007. A deadly plague, known as the "Reaper Virus," has broken out, killing hundreds of thousands in its wake. In desperation, the British Government evacuates as many survivors as it can out of the infected area, and then builds a wall, preventing the remainder from escaping. Thirty years later, with the wall still up and the victims all but forgotten, the virus breaks out again. The Government decides to send a crack team of operatives, led by Major Eden Sinclair, into the hot zone to investigate the possibility of a cure.
Gizmodo Japan has these rockin' pieces of lego machinery for hardcore GITS afficionados - Tachikoma and Fuchikoma. (link sent by PinkTsunamii)
wireframe meets neon meets seventies funk craze meets slipstream meets new york meets demotune meets haujobb
fula, he says, "is a muffler for warming the user's body and soul on a cold winter's day", but it's more like a gadget with dramatic effects, blowing a scarf off our backs and keeping it floating while we show off our blissful shadow-swordsman technique. if i'm nonsensical, just tap play and you'll see what I mean.
funny thing is, I did a brief talk-to with him back at second city. turns out he's a huge fan of bushido blade and this really leaves a mark on the whole amegatana thing. secondly, he said that since the Japanese mobile market is starting to get flooded with handsets with built-in accelerometers, he could rewrite the software for mobiles instead of umbrellas adding multiplayer support. which could leave him with a righteous amount of revenue, so all thumbs up for yuichiro katsumoto!