When the PlayStation Blog announced that Pure Hold’Em would be coming to PS4 later this year, the console-playing poker community nearly lost its mind. Developed by VooFoo Studios, the makers of Pure Pool, the game was hyped to be the definitive poker game on the PS4 – not just because of its features, but because it would actually be the first of its kind ever seen.
“We’re proud of the high level of expectation on every new VooFoo release and we’re not holding back on stunning visuals, silky-smooth gameplay or the purity of the experience,” said VooFoo Studios’ online community manager, Emily Crees, back in February when the game was first announced. Rather than simply playing against computers, as was often the case with other console poker games, Pure Hold’Em was set to have full online multiplayer support, allowing players to create tournaments with 8 of their friends, or simply hop in and join strangers in quick games. With poker being such a popular game nowadays, many gamers were quick to come to the developers, excitedly asking questions about what else they could do in the game.
Among the biggest questions potential players had was, “Can we play for real money?” And unfortunately, Emily said that users would have to play for in-game credits, and while no information was given on whether or not users would have the chance to replenish in-game credits with store credits for PSN, Emily assured players that “[they’ve] also included a High/Low game you can play to gain daily extra credits so you can start over!” The game also includes a Tutorial Setting, where players new to the game can learn about hand ranking and the rules of the game, in the hopes of winning the pot and owning the tables, from the lowly Jokers Tables up to the Masters Tournaments. Poker tournaments have become an indispensable feature in today's casual poker games with online casino operators introducing several different tournament platforms that players can join at any time. While it's unclear if Pure Hold'Em will have community tournaments as well, it's a feature that would be greatly appreciated.
Something to raise hell to at the HQ. More news soon!
TL;DR Get this and let it grow in your head. If it feels out of place, that's good, you'll appreciate the little details in due time.
This is not neon. This is blue and grey, far from the strobe lights - this is the dark corner at the partyplace behind the big granite column where you find the entrance to another hall, the DJs playing on high-end gears and the decoration looks all Zaha Hadid but there are windowglasses on the walls that look like human skin, screeching and lighting up when you touch them. This is what Architect's Neon EP feels like. More like blacklight.
Short story long: Daniel Myer's stuff has always been really influential on how I got the be the future-eating bastard that I am and I'm coming from the camp where his albums Solutions for a Small Planet & Vertical Theory are GOD. So the title track Neon obviously hit a hearty-warm note, not only because of its typical Haujobbish feel of Automatic Jack jury-rigging technology from the spare parts of a holodeck, two unlicensed guns, diminished chords and manly sadness (if this doesn't ring any bells, go read William Gibson's short story Burning Chrome NOW), but also because it features the vocals of Black Nail Cabaret frontmistress Emke who I have the pleasure of knowing and calling her a great influence. All in all, a match made in heaven!
This EP smashes this track face first into the brick wall of complete reinterpretation. Frank Riggio's version is a violin-filled dramatic catharsis, Erich Zann-style, a soundtrack version of a memory - 5AM, Berlin, waiting for the airport U-Bahn as you see people trying to cope with morning and life in general. Phracture's tom- and mid-filled glitchy beat take is how you swoosh out to the airport, seeing the world outside gain speed. And sticking to this memory, Basementgrrr's version is the first coffee, with sub-drone guitars and a rocky feel, operating with tension, yet never doing a chorus touchdown that would calm you. Standing on the top of Burj Dubai, pondering on how to jump - horizontal or vertical? (Yep, remixes are tricky pills. Adore these pills.) Normotone's take would be the frantic rush through Schönefeld to get to your plane, calculating every parkour trick pre-realtime. If you thought Mirror's Edge would be a fake endorphin rush, I really dare you to try this. Solid, rigid beats, even bouncier than the club version.
Be prepared for more beats - there's a Niels Binias version of Hummingbird (Kruder & Dorfmeister-y chillout on hermit hash) and two versions of Snow - Denny Engler's clubby take for night rides (especially loving the filtered pianos) and a 3rd drift version, which sounds a lot like how Cleaner (a slightly more cyberpunkish version of Haujobb) would sound nowadays, consider this a soundtrack for a Finnish drone strike under a steel sky.
neon ep by architect