Hi. I’m Damage – I’ve been called a writer, a journalist or a futurologist in the past. Recently, I’ve been hearing musician a lot more.
My track record is lengthy, so here’s a bare minimum: I grew up on cyberpunk, I did and am still doing futurepresent and I made my career by writing about technology, working with music or talking to people a lot. Worked surprisingly well so far. Lived a year in North London, now I’m currently based in Budapest. According to Kreatív, the flagship magazine of the Hungarian creative industry, I was *one of the top 25 creative Hungarians in 2013.
Here’s a Twitter description, almost like a haiku.
Writes futurepresent & gonzo. Insatiable love for pop/altcult, cyberpunk, caffeine & anything with a Scoville rate or a frequency. Currently freelancing.
Being the founding chief editor of *LD50, Hungary’s first and up-to-date biggest alternative community portal (something very similar to *Vampirefreaks) with a peak of cca 12.000 daily unique visitors was the first CM job I tackled. I also ran point on Budapest’s first regular weekly goth/industrial club series at Club Marco Polo (with Zero of the *NegativeArt crew) and I was one half of LD50’s Kollektíva promoter/org team, doing a well-established regular mini-fest for the Budapest scene. All this gave me the possibility to work with such amazing musicians such as Eve of Destiny, Soman, Killing Miranda, Closterkeller, The Sepia or Angelspit, among others.
RESEARCH (FUTURE TECH & SUBCULTURES)
Cyberpunk does make you a sucker for new tech and weird stuff, I know it happened to me. I’ve been a tech columnist for 2 1/2 years at *HVG, a major Hungarian news portal, covering events like Ars Electronica, the unveiling of a new Google HQ in Zürich or plowing my brains with LVA. (Yeah, go google that.) I’m currently doing something very similar for *24.hu.
GPOYW from Fashion Video Festival Budapest, 2011.
After completing my debut book Damage Report, I felt like I had to use my brain differently, keep words to a minimum. I took to learning infographics in January 2012 – ten months later I was one of the winners for an *infographics event contest run by The Economist. I also worked on commissions for a few clients like *Vodafone, *Cisco, the *Budapest Flood & Public Lighting Ltd, *Visceral Business, *Tastebuds, *Tablet2Cases or my good friend and social media kunoichi *Sylwia Presley. I’m also registered as a *Visual.ly Marketplace Designer and if you wanna peep (please do), *here’s my portfolio.
AND THEN, MORE MEDIA.
I was also hosting radio shows – a lot of them. Four years every week at Hungary’s first webradio called *ParaRadio (sponsored by the *Soros Foundation) about cyberculture and underground music during the late 90s led me straight to broadcast radio – EstFM 98.6 – where I spent two and a half years, not just doing weekly radio shows but also working as a lead scriptwriter for an absurd radio sitcom called Kónuszék avagy a Szabódó Család. The success of that series led me to be one of the screenwriters for a New York Times-acclaimed animation comedy entitled *Nyócker a.k.a. *The District! (It’s currently 6.2 on IMDB. And yes, I gave my face to one of the characters.) I was also involved in a Hungarian tech podcast called *20 perccel a jövőbe (20 Minutes into the Future) where we talked about current tech issues and trends in a post-6pm fashion with a lot of bad puns.
AND RECENTLY, MUSIC
Music and me, unending love since day one. After working with FastTracker in the second half of the 90s, putting together an albumful of tracks (entitled *Track Record), I’ve gone to radio (both online and broadcast), DJing and promoting artists. This all changed in 2016 when I released my comeback EP *Snapshots of a Surveillance Manifesto. Now I’m currently signed to *Two Gods Records (led by industrial veteran Martin Bowes of *ATTRITION) – my first release on the label is an EP entitled ANGST, released December 2016.
Genrewise I’m quite close to oldschool electro-industrial and I’ve been remixed by bands like Attrition, Haujobb, The Mercy Cage or Black Nail Cabaret.
That’s about it. LinkedIn is shorter, though. Without the design, the images and all the additional goodness.