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angelspit meets max headroom in blipvert 21

11 October 2010 197 views No Comment

Zoog von Rock changes attire, satire and switches to a definitely different style in the new Angelspit blipvert: missing are the witty remarks and the fast cut editing – the gap filled with eight minutes of flashing studio lights, neon, an orgy of synthesizers, a video tutorial of how to vocode yourself properly and lots of brief cuts back from 1987, when someone with a Max Headroom masked hijacked broadcast signal on both WGN and WTTW. And this blipvert is getting more professionally-produced now. So go check out the new Angelspit mindwarp and while you’re at it, buy their new stuff, Larva Pupa Tank Coffin that just got released yesterday, on a day of triple numerologist ROCK, 10/10/10!

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The television skies of Chiba City branded his brains in 1992. He hasn't recovered fully since. Re-wired his brain with a few years of FastTracker, hosted radio shows on the first Hungarian netradio (ParaRadio) for 4 years, went on to broadcast radio (EstFM 98.6) for another two. Worked on the absurd radio series Kónuszék, that actually led him to become a script writer for the multiple-award winning, New York Times-acclaimed animation Nyócker.

Started LD50 in 2001, a media experiment for him, an alternative community portal for everybody else. Did DJ'ing and promoting for 6 years in Budapest: the first weekly gothic/industrial clubnights in Bp, the VK/jrock nights Nippon Shoxx and the biggest local industrial/cyber party series called Kollektíva, among many. Spent 2 1/2 years as an IT/science journalist at hvg.hu and a few months with visual mixtape startup DragOnTape.

2010 made him into an International Business School part-time lecturer about online marketing/media and weird cultural trends. He was the chief editor of THE DOSE, an alternative popcultural PDF mag and a columnist for MONDO, a very glossy mag with a focus on Japan and pop culture. Has insatiable love for weird stuff, Asian cuisine, pop culture, energy drinks, coffee, eyecandy, Japan, anything with a Scoville rate or a frequency and a life-long devotion to all things on the edge.

His debut non-fiction book DAMAGE REPORT about how we imagined the future as such and how it turned out instead (with a healthy injection of pop & fringe culture) was released by publishing house MangaFan in April 2012.