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bio.digital by diamante murru

20 October 2009 465 views No Comment

If this isn’t eyecandy, nothing is. Cagliari-based digital manipulator Diamante Murru is working on a lovely set of a Diami girl halfway morphed into something we wish our riot grrls would have looked like, jackplugs along the spine and in every orifice possible, a mike forged into her phone, a volume slider by the ears. All is very bright and blue, this brings us the new black. Enjoy her Bio.Digital series at Behance.net. (Link sent by @vividfluxury, thx!)

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about

The television skies of Chiba City branded his brains in 1992. He hasn't recovered fully since. Re-wired his brain with a few years of FastTracker, hosted radio shows on the first Hungarian netradio (ParaRadio) for 4 years, went on to broadcast radio (EstFM 98.6) for another two. Worked on the absurd radio series Kónuszék, that actually led him to become a script writer for the multiple-award winning, New York Times-acclaimed animation Nyócker.

Started LD50 in 2001, a media experiment for him, an alternative community portal for everybody else. Did DJ'ing and promoting for 6 years in Budapest: the first weekly gothic/industrial clubnights in Bp, the VK/jrock nights Nippon Shoxx and the biggest local industrial/cyber party series called Kollektíva, among many. Spent 2 1/2 years as an IT/science journalist at hvg.hu and a few months with visual mixtape startup DragOnTape.

2010 made him into an International Business School part-time lecturer about online marketing/media and weird cultural trends. He was the chief editor of THE DOSE, an alternative popcultural PDF mag and a columnist for MONDO, a very glossy mag with a focus on Japan and pop culture. Has insatiable love for weird stuff, Asian cuisine, pop culture, energy drinks, coffee, eyecandy, Japan, anything with a Scoville rate or a frequency and a life-long devotion to all things on the edge.

His debut non-fiction book DAMAGE REPORT about how we imagined the future as such and how it turned out instead (with a healthy injection of pop & fringe culture) was released by publishing house MangaFan in April 2012.