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friday zen (reader version)

23 May 2008 974 views One Comment

PinkTsunamii sends you all a MonicaBot of Doug Williams of Sketchwich. It might be just me but all these things really remind me of Tsutomu Nihei’s work (later volumes of Blame!, to mention just one). Doug has his own blog here which basically contains the same stuff that you can see on Sketch. Monica also has a head on a tray here (neatly named Lunch Art).

Oizys on the other hand is back with a Blade Runnerish BMW ad and Rivet’s various takes on the bunny motif. Amazing shit. Mustn’t forget about posting more bunnies in the next post.

One Comment »

dee said:

bunniez r00l!

(‘.’)

# 24 May 2008 at 09:27

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about

The television skies of Chiba City branded his brains in 1992. He hasn't recovered fully since. Re-wired his brain with a few years of FastTracker, hosted radio shows on the first Hungarian netradio (ParaRadio) for 4 years, went on to broadcast radio (EstFM 98.6) for another two. Worked on the absurd radio series Kónuszék, that actually led him to become a script writer for the multiple-award winning, New York Times-acclaimed animation Nyócker.

Started LD50 in 2001, a media experiment for him, an alternative community portal for everybody else. Did DJ'ing and promoting for 6 years in Budapest: the first weekly gothic/industrial clubnights in Bp, the VK/jrock nights Nippon Shoxx and the biggest local industrial/cyber party series called Kollektíva, among many. Spent 2 1/2 years as an IT/science journalist at hvg.hu and a few months with visual mixtape startup DragOnTape.

2010 made him into an International Business School part-time lecturer about online marketing/media and weird cultural trends. He was the chief editor of THE DOSE, an alternative popcultural PDF mag and a columnist for MONDO, a very glossy mag with a focus on Japan and pop culture. Has insatiable love for weird stuff, Asian cuisine, pop culture, energy drinks, coffee, eyecandy, Japan, anything with a Scoville rate or a frequency and a life-long devotion to all things on the edge.

His debut non-fiction book DAMAGE REPORT about how we imagined the future as such and how it turned out instead (with a healthy injection of pop & fringe culture) was released by publishing house MangaFan in April 2012.